There is far too much happening to even begin to provide comprehensive coverage but let me first mention the extraordinary form Mass yesterday that celebrated the Feast of St. John Baptist, one that ended with the great hymn Ut Queant Laxis as the recessional. The Mass setting was Palestrina's Missa Brevis, as sung by Kurt Poterack's choir, along with motets by Tallis (sung by Brouwers choir) and Guerrero (sung by Horst Buchholz's choir).
St. John has a special place in the hearts of all musicians because all scholarship indicates that it was he (not Cecilia) who was long considered the patron saint of music in the first millennium (the job was handed over to St. Cecilia after St. John's long service).
The Mass was of course very beautiful, complete with all sung readings and the most solemn sung parts.
The evening's events broke new ground. The idea was initially proposed by William Mahrt and carried out by Arlene Oost-Zinner: a panel on the growth of sacred music programs in academia. The panelists included Kurt Poterack (Christendom College), Paul Weber and Alanna Keenan (Franciscan University Steubenville), Ann Labounsky and Sr. Marie Agatha Ozah (Duquesne University), Susan Treacy (Ave Maria University), and Peter Jeffery (Notre Dame University).
Each talked about the program of his or her institution and commented on the dramatic change in the attitudes of students today as compared with the past. The interest in sacred music and chant is very intense, to the point of representing a serious paradigm shift. Professor Jeffery in particular spoke of the support he has received from the administration to forge a program that will have national influence, and he looks forward to working with student groups in the year's ahead.
To see all these panels and here their comments struck many people as very significant, for it demonstrated that the change we are seeing at the parish level is being mirrored in higher learning as well.
Here is an image of Professor Jeffery buying a colloquium tee!