This weekend's communion antiphon "Petite, et accipietis" does not appear on Sunday in the old ordering of Mass music, so this is a musical treat that can only be experienced in the ordinary form for this Sunday.
It is drawn directly from the Gospel reading. "Ask, and it shall be given you: seek, and you shall find: knock, and it shall be opened to you: for every one that asketh, receiveth; and he that seeketh, findeth; and to him that knocketh, it shall be opened, alleluia."
Here is the antiphon (and here is a sound file that you can listen to as you watch the music):
Now, for those who might say that there is no real relationship between the music and the text in Gregorian chant, consider this wonderful musical structure and how it beautifully reflects the symmetry of the prose here.
We begin with three actions: ask, seek, knock. These actions are embodied in the musical phrase that form the pillars of the first half of the chant, which we see in petite, quaerite, and pulsante. Each is structured to be a unique musical phrase, each with its different character.
The first half of the chant ends at the full bar. Then we pick up with the answer: he who asks, receives; he who seeks, finds; he who knocks, it is opened. The words in Latin are now grammatically different (petit, quaerit, pulsanti) but the unique musical structure of each of those words is preserved from one phrase to the next, and then extended upon to signify the universality of the relationship between the reach for God and the granting of grace, consistent with the text (for everyone).
The parallels between the words in the first phrase and the repeat in the second phrase are beautiful, creative, and unmistakable. The chant then closes with great drama, an alleluia more elaborate than anything series of notes before, all coming together to form a perfectly crafted composition and unity of music and text.
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