16 Replies to “Regina Caeli, A Different Take on the Marian Antiphon for Easter”

  1. What a beautiful piece of music! The Regina Coeli, however, is the Marian antiphon for the Easter season.

  2. It's beautiful, but I don't know what to think of this. Too ornamental. Would you use it for the liturgy? or for a concert?

  3. It's pure speculation on my part but I'm guessing it was written for liturgical performance in its time but that is not our time. I would love to hear this live but I would not likely schedule it in liturgy.

  4. Marian anthem at the end of mass, Ian? Since when has that been the Church's tradition?

  5. The Marian anthem of the season is traditionally sung after Vespers and/or Benediction and Compline. At all the Sunday EF Masses at which I have recently sung it is sung immediately after the Domine Salvam Fac. In my parish the PP wanted it sung after the OF Mass on Sunday morning and I was happy to oblige.

  6. It's certainly a Carmelite tradition, Copernicus, and I've also occasionally encountered it in non-Carmelite parishes. It's no different, in a sense, from having a non-Marian hymn after the mass is ended, which is pretty much common practice wherever hymns are sung at mass.

  7. … as for particapation, Anon., some of the Marian anthems are better known than others, but where they are sung regularly according to season, it's not unknown for some Catholics to prove Thomas Day wrong (tho' I don't see the necessity for that).

  8. What a magnificent version of the Regina Coeli, but my favorite is the one by Mozart, that he wrote shortly after his marriage to Constanza Weber. It's a sublime work, very joyful, about 8 minutes long. I am sure it's on Youtube if anyone wants to hear it.

  9. Isn't operatic style singing banned in the liturgy? (I believe it was Pope Pius X) Is it allowed now?

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