On the eve of St Francis’ feast day, an interesting interview in the National Catholic Register with a professor of sacred music at Franciscan University of Steubenville, Ohio. He touches on music at the University, and music in the Franciscan tradition. (I don’t think I knew that Jacopone da Todi was Franciscan.)
Franciscan University has a vibrant musical life. There are two university choirs: the Schola Cantorum Franciscana and University Chorale. A small army of volunteer students leads and participates in bands and choirs, which provide musical leadership for multiple daily and Sunday Masses in the chapel. We have at least two student-led a capella, groups in addition to a string quartet; and, of course, it’s never hard to find a student playing a guitar outside on a sunny day. There are many forms of music here, for various times and places. “Diverse and healthy” is how I would describe it.
For liturgical music specifically, there are few places I’m aware of that have a similar program. If you walk into Christ the King Chapel here, you’re likely to hear one of two different types of song — chant-polyphony and classic English hymnody or guitar-led “praise and worship,” music with compositions that are both more recent and more Catholic. What’s conspicuously lacking is music from the 1960s, ’70s and ’80s, which is so common in American Catholic parishes.
Not certain I get this – “praise and worship” music that is “more Catholic” than what? than the “chant-polyphony”? or than the stuff of the ’60s, ’70s and ’80s that he mentions in the next sentence?
Anyone familiar with and care to comment on the musical praxis at Steubenville?