Join St. Clement Parish in Ottawa for a Weekend of Sacred Music, November 22 – 23, 2019.
Featuring organist and chant director, David J. Hughes, the workshop begins at 7:30 pm on Friday, November 22 with Vespers, followed by an organ recital.
On Saturday, November 23, the parish will celebrate the Feast of St. Clement with a High Mass at 10:00 am, followed by a Chant Workshop beginning at 11:30 am. The workshop will culminate with 5:00 pm Vespers. Lunch is provided.
Pre-registration is required. Please call 613-281-3766 or email firstname.lastname@example.org to register. The registration cost of only $20/person includes lunch.
St. Clement Parish is located at 528 Old St. Patrick St., Ottawa.
You still have time to register at regular rates and avoid the late fees… Register by May 15th!
Once again, the CMAA will be offering the Summer Chant Intensive at Duquesne University in Pittsburgh, PA. The course is offered June 24-28, 2019.
This course has been a valuable springboard for many Catholic musicians who wanted to learn more about Gregorian chant. Many of us got our start in directing scholas and choirs because of this course, which was offered for the first time in 2008.
Our instructor this year will be Jeffrey Morse, who has provided us with this letter that includes more detail about the scope of the course:
… Over the years teaching chant to various groups at the Colloquium, many students had expressed their desire for more Chant instruction, particularly in subjects like the modes, but due to the time limitation of the Colloquium it was impossible to cover these topics.
If you were one of these students wanting more, the Chant Intensive is for you! The topics of the Chant Intensive are provided on the CMAA website, but I thought that perhaps it might prove helpful to expand a bit on the course description and syllabus, which can be a bit off putting and vague as they are necessarily short and succinct.
The Chant Intensive is offered for everyone, with little or no chant experience, but particularly for those with an intermediate level of knowledge of plainchant and even for the advanced. I think all levels will find something useful in this Intensive. While no chant knowledge, or little is required for the class, some will be helpful as the basics of Chant, the reading of the square notes, the staff, etc. will be done at a fairly good pace, serving as a review for the others in the first sessions. In my experience in teaching over the years, this is fine for beginners, but if you would like to go at a much slower pace, perhaps “Laus in Ecclesia Level I”, offered at the same time, might be a better fit.
In the course of the week, we will explore the 8 modes in which Chant is written. Their individual qualities and sounds, using solfège (do, re, mi) to learn the modes and be able to sing them. Modal studies will also focus on examples of Chant representing every mode, the
important notes in each, and how over centuries these notes have sometimes changed, as well as the psalm-tone for each mode. In the learning of the psalm-tones, or the little melodies to which the psalms are sung, we will learn how exactly the psalms are sung to each of these melodies and the rules of “Pointing” accents and preparatory syllables that make it possible. Emphasis too, will be placed on how a good unified, choral tone is cultivated, as well as good basic vocal techniques helpful for those students with choirs or even for themselves! The simple and natural rhythm of Chant, from the simple syllabic chants of the Ordinary of the Mass and Gregorian hymns, to the melismatic glories of the alleluias and Graduals and everything in between will be explored thoroughly in singing through as much of the Gregorian repertoire as possible, with time spent on teaching the direction of Chant (chironomy), with students able to practice the direction techniques learned with the group.
Lastly, we will be returning to the very sources of the Chant in a basic introduction to the reading of the notation of the St Gall school (9th century) which is the earliest notation in the Western world. We will talk about how these manuscripts helped in the melodic restoration of the Chant in the late 19th and early 20th century by the monks of Solesmes, and we will discover how their amazing subtleties, not carried through in the square note notation of later centuries, can inform and finesse our interpretation of the Chant breathing freshness, light, and life into the sacred texts it serves.
For those wanting a more thorough grounding and exposure to Gregorian Chant than what is possible at the Colloquium, this class is for you. I am grateful to the CMAA for offering the Chant Intensive each year, for I can think of nowhere else where such a complete education in the Chant is offered in such a concentrated fashion. With this class, it is hoped that the students will gain the confidence and skills to form and direct their own scholas or choirs, or become better directors of already existing ones, to bring this unparalleled music of the Church forward to our parishes and future generations, this music with its unique and singular ability to lift minds and hearts to God.
Looking forward to seeing old friends at the Chant Intensive and making new ones, singing with you all and passing it on! See you in Pittsburgh!
For all the information about the upcoming Chant courses in Pittsburgh, visit our website to find information about Registration, Housing, Schedule, and more: CMAA SUMMER COURSES
Beginning this coming Sunday, December 16th at 3:00 pm, the Society of St. Padre Pio is proud to announce that extraordinary form liturgies will be offered once a month at 3 pm on the Sunday after the third Saturday of each month. Mass will be held at Christ the King Parish with Msgr. James Harris as celebrant.
It is possible to offer this liturgy in the extraordinary form because of the Motu Proprio Summorum Pontificum, from July 7, 2007 by Pope Benedict XVI.
Music will be provided by the St. Cecilia Choir, with Rogelio Senties as director. If you’re in the area, make plans to join them and support their effort to make this form of the Mass available to those in the region.
Christendom College offers $4500 in tuition reduction and free voice lessons for students starting in the Fall of 2018.
Starting next fall, there will be two one-year scholarships: one for a man (tenor or bass), and one for a woman (soprano or alto). The scholarship will consist of $4,500 in tuition reduction and $1,500 toward voice lessons throughout the year.
The recipient is expected to attend sectional and full rehearsals throughout the year, sing at the Sunday Mass, the First Friday Holy Hour, help out at weekday Masses, sing in the Palestrina chamber choir and perform other duties that will be discussed at the interview.
Students will need to submit an audition video of one piece by March 1, 2018 and, if selected, will come to campus as a finalist to audition in person on Saturday, April 7. If there are any questions, you should contact Dr. Kurt Poterack at: email@example.com.
Now in its 44th season at the Church of Saint Agnes in Saint Paul, MN, the Twin Cities Catholic Chorale will continue its tradition of performing the Mozart Requiem, K 626 with orchestra, at a Solemn Latin Mass at 7:30 p.m.on November 2, 2017.
The Chorale is under the direction of Dr. Robert L. Peterson.
Make plans to join them tomorrow evening to celebrate All Souls’ Day!
… to register to learn the Ward Method* with one of the finest Ward instructors in the US – Scott Turkington. Turkington will teach the CMAA’s Introductory Course this summer at Duquesne University as part of the CMAA’s summer course program.
In addition, the CMAA is also offering the next level of Ward Instruction for the first time this summer with instructor Wilko Brouwers, from the Netherlands. Brouwers’ course will include the use of his newly published book Now I Walk In Beauty: 100 Songs and Melodies for School and Choir. Thanks to the generous donors who have supported this new publication, the book will be literally “hot off the presses” for our summer programs.
We still have room in our classes for a few more participants. Please make plans to join us in Pittsburgh June 26-30 at Duquesne University.
There will be two courses offered:
Ward Method I – That All May Sing will be taught by Scott Turkington. Participants will learn the basic principles and the practice of this method developed by Justine Ward in the early 20th century and how it can be used with our 21st century children. Its fundamental principle is that all children can learn to sing, not just those with natural gifts.
Ward Method II – Intermediate moves beyond the first year. Wilko Brouwers will share his expertise and experience with the method to pass on more advanced techniques. It will expand on the training in Ward Method I. The CMAA is convinced that this method has great value for developing future generations of singers, both those in the choirs and those in the pews. You can be part of that project.
You can learn more details about the courses and register by following this link:
CHANT COLLOQUIUM 2016 August 11-14, 2016 Saint Augustine’s Seminary, Toronto
The Gregorian Institute of Canada is pleased to announce its 11th Annual Colloquium, to be held at St. Augustine’s Seminary, Toronto, ON, August 11-14. Our plans include a series of practical chant workshops ranging from introductory to advanced, featuring the outstanding clinician Adam Bartlett, composer and editor of Simple English Propers (CMAA, 2011), and editor of the Lumen Christi Missal, Lumen Christi Simple Gradual, and Lumen Christi Hymnal (Illuminare Publications, 2012-2015).
Active as a teacher, workshop leader and speaker, Adam has traveled widely offering catechetical and training workshops on topics of Catholic sacred music and liturgical chant.
The colloquium also includes a series of scholarly papers in honour of the late Andrew Hughes, renowned Canadian chant scholar and Professor at the University of Toronto.
In addition to the workshops and lectures, there will be daily offices and Sunday mass sung with Gregorian Chant.