Sacred Treasures of Christmas Now in Stock!

AVAILABLE NOW FOR IMMEDIATE SHIPPING at the CMAA ONLINE SHOP.

SACRED TREASURES OF CHRISTMAS is a new recording from the boys of the London Oratory Schola, directed by Charles Cole. The Schola is one of the top boys’ choirs in the world and sings at the London Oratory. The boys, aged 8-18, are all pupils at The London Oratory School.

The Choir’s Director, Charles Cole said: “We are delighted to present our newest album which we recorded earlier this year. ‘Sacred Treasures of Christmas’ focuses on some of the most iconic polyphonic works written for the Christmas liturgy. These motets, rendered so beautifully by the greatest masters of the Renaissance, capture the awe, mystery and effusive joy of the Nativity.”

Sacred Treasures of Christmas, a sequence of music for Christmas, Epiphany and Candlemas, continues the ‘Sacred Treasures’ series, an anthology of sacred repertoire drawn from the liturgical motets which the boys sing at the London Oratory.

Order now for immediate shipment.

For more information, see our earlier post.

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Sacred Music Saturdays – SMIA

The Sacred Music Institute of America is offering a series of lectures called Sacred Music Saturdays.

Information about the lecture this weekend:

“Gregorian Chant in the Liturgy” by Dr. William Mahrt

The word sacred means set aside, in this case reserved for the particular purpose of Divine Worship. Pope St. Pius X defined three characteristics of liturgical music, sacred, beautiful, and universal. Music is sacred which sets the texts prescribed by the liturgy, such as processional texts, scripture lessons, meditation chants, hymns of praise and petition and expression of belief.

Their musical style conveys the sense of the action which they accompany. Music is sacred which unites a diverse congregation in a unity joining their voices and lifting their hearts to a common purpose.

Sacred music must be beautiful, because it addresses almighty God, who is the ultimate Beauty. The beauty of sacred music creates an experience of the holiness of God, a foretaste of the Beatific Vision of God, which is the end of each human life. Sacred music thus has a transcendent purpose, which is expressed in transcendent styles. Sacred music is universal when it is received and understood by the body of worshipers as expressing the order and purpose in the liturgy, when it is experienced as being our own, when we sing it by heart, from our very own being.

Register now to receive lecture access and a link for a live Question & Answer session with Dr. Mahrt on Saturday, 21 November.

REGISTER NOW

The Sacred Music Institute of America also offers other courses such as:

Chanting the Liturgy: Musical Enrichment for Priests and Deacons

As part of its ongoing commitment to promoting quality sacred music in every parish, the Sacred Music Institute of America LLC is excited to announce its new individualized training opportunities for priests and deacons.  This program will provide flexible, personalized, and comprehensive training in chanting the liturgy from the basics of vocal production; it focuses on the celebrant’s chants in the Roman Missal.   It is inspired by the thorough musical curriculum offered at the Pontifical College Josephinum, where the Institute’s founder, Dr. Jason Keefer, is Director and Assistant Professor of Sacred Music.

The Institute’s training opportunities for clergy include:

  • Online seminars on vocal technique, reading Gregorian and modern notation, Church documents pertaining to music, clergy/musician collaboration, music selection and planning, and liturgical chant.  Watch the lectures on your own schedule!
  • One-on-one online vocal coaching with our experienced faculty of liturgical musicians.  Work on vocal technique and presentation through exercises and study of specific chants.  These sessions are fully customizable to your needs and abilities. Coaching is also available on more challenging repertoire such as the Gospel readings and the Exsultet.  Five, ten, and fifteen lesson packages are available.
  • Optional courses on the history of sacred music, music theory, and intensive Gregorian chant study.

While the Church’s documents on music in the liturgy place a strong emphasis on the role of the clergy in singing the liturgy, not every priest or deacon has the background or training to feel self-assured doing so.  The Institute seeks to foster chanted Masses in parishes throughout the country by helping priests and deacons to improve their skills and confidence in chanting.  This training is hand-tailored to your specific needs, flexible to accommodate your busy schedule, and private—you will work directly with your vocal coach and also have access to pre-recorded lectures by our dedicated and knowledgeable faculty.

To learn more about all of the Sacred Music Institute’s offerings, including monthly seminars and certification programs for music directors, organists, choir directors, and cantors, please visit https://www.sacredmusicinstitute.org/chanting-the-liturgy-priests-deacon or call 614.395.7783.

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Gregorian Chant for the Domestic Church

 

Looking for a way to expand your family’s knowledge and comfort with singing Gregorian chant? Join Mary Ann Carr Wilson for an upcoming multi-week workshop. Don’t delay! The first session begins on Tuesday, November 17th.

Gregorian Chant for the Domestic Church

Weekly Tuesday evening Zoom class offered for families and households, with a focus on classic Advent and Christmas chants.

November 17- December 22, 2020,  5:30-6:30pm PST

$120 class fee per family/ household

To register, visit the website at Canticle.net/workshops

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Sacred Treasures of Christmas

AVAILABLE NOW FOR PRE-ORDER at the CMAA ONLINE SHOP.

SACRED TREASURES OF CHRISTMAS is a new recording from the boys of the London Oratory Schola, directed by Charles Cole. The Schola is one of the top boys’ choirs in the world and sings at the London Oratory. The boys, aged 8-18, are all pupils at The London Oratory School.

The Choir’s Director, Charles Cole said: “We are delighted to present our newest album which we recorded earlier this year. ‘Sacred Treasures of Christmas’ focuses on some of the most iconic polyphonic works written for the Christmas liturgy. These motets, rendered so beautifully by the greatest masters of the Renaissance, capture the awe, mystery and effusive joy of the Nativity.”

Sacred Treasures of Christmas, a sequence of music for Christmas, Epiphany and Candlemas, continues the ‘Sacred Treasures’ series, an anthology of sacred repertoire drawn from the liturgical motets which the boys sing at the London Oratory.

Charles Cole continued: “Through these recordings, the Schola seeks to bring to a wider audience the music which adorns the liturgies at the London Oratory. These motets have an important function within the liturgy and are not solely beautiful works of art to be appreciated in a removed context such as a museum or art gallery. Their sacred purpose, the way they are experienced by the boys who sing them, and the manner in which they are heard at the Oratory, are before all else within the liturgical context.”

The motets on the new album celebrate the Nativity itself, before moving on to the Feast of the Epiphany and the Adoration of the Magi, and concluding with the Purification of the Virgin. Amongst the composers represented are Victoria, Guerrero, Palestrina, Lassus, Clemens, Sheppard and Tallis.

Sacred Treasures of Christmas from London Oratory Schola on Vimeo.

For more information, visit Hyperion or the London Oratory Schola websites.

PRE-ORDER YOUR CD NOW FROM THE CMAA SHOP

Also Available at these outlets:

iTunes

Amazon

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CMAA Featured on Extraordinary Faith Episode

Extraordinary Faith has just recently published its video about the Church Music Association from our 2015 Pittsburgh Colloquium on YouTube. This is a very nice overview about what happens at a CMAA Colloquium, including interviews with faculty, staff and participants. Enjoy and share…

Gregorian Chant Weekend at Clear Creek Abbey

Gregorian Chant Weekend October 9-11, 2020

The Gregorian Chant Weekend is an opportunity for the faithful to sing Gregorian Chant at Holy Mass and in the Divine Office. Instruction is given through preparing to sing for the liturgy. Beginners are welcome. The weekend begins Friday, October 9th, immediately following the monastic office of Vespers (at 6pm) in the crypt of the Abbey church. It ends with a picnic after 11:00 am Mass on Sunday.

The weekend will feature:
• Compline sung Friday and Saturday night
• Mass sung Saturday and Sunday morning
• Conference on the history of Gregorian Hymns
• Instruction throughout the day (beginning at 8:30am) with a break for lunch
• Picnic after Sunday Mass

For more information, visit the Abbey website at clearcreekmonks.org or call the Abbey at (918) 772-2454.

CHANT WEEKEND FLYER

WEEKEND SCHEDULE

REGISTER ONLINE

Fall Courses offered by Sacred Music Institute of America

Looking for a way to get online education on Sacred Music? The Sacred Music Institute of America is offering a range of courses for the fall, including a course taught by CMAA President, Dr. William P. Mahrt.

From the Sacred Music Institute of America’s press release:

In today’s rapidly-shifting environment of changing regulations and guidelines, the Sacred Music Institute of America, LLC stands by its commitment to provide high-quality educational experiences to meet the needs of sacred musicians beyond the confines of traditional academic programs.  This fall, we are honored to welcome Dr. William Mahrt to the faculty for a ten-week online course in Gregorian Chant.  “Gregorian and English Chant I” is a beginning course in chant which will proceed from reading and singing of the simplest chants and the study of their liturgical function and include chants of progressive difficulty for the priest, people, and choir in both English and Latin. 

In all of these categories, the study will proceed through chants of progressive difficulty, with priest’s prayers, versicles and responses of priests and people, chants for the Ordinary of the Mass in English and Latin for the congregation, and chants for the proper of the Mass in English for the choir.  For the proper of the Mass, chants of progressive difficulty will be studied, based upon The Proper of the Mass for Sundays and Solemnities of Fr. Samuel Weber, O.S.B. (San Francisco: Ignatius Press, 2014).  The beauty of the chants as integral to the liturgy will be a consideration. 

Dr. Mahrt also teaches musicology and the performance of Medieval and Renaissance music at Stanford University.  

The Institute’s fall offerings also include online courses in “The History of Sacred Music,” “Music Theory I,” private lessons in organ, voice, and conducting, and mentoring for church musicians.  All fall classes begin on August 24.  More information is available at www.sacredmusicinstitute.org or by contacting the Institute at 614-395-7783 or administrator@sacredmusicinstitute.org.

The cost for registration in the 10-week courses will be $850, with various pricing for private lessons, depending on the teacher.

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