[UPDATE: The archived video is available at YouTube.]
A scheduling note: the Colloquium’s Mass from the Cathedral Basilica of Saint Louis will be streamed live on the internet, thanks to the Archdiocese of Saint Louis. The Mass begins at 5:30 p.m. Central Time (6:30 p.m. Eastern), and the stream will be available at http://archstl.org/CMAA .
The music program for the liturgy follows, with the various choirs of colloquium participants indicated. The music repertoire book is available for download at the CMAA web site.
Friday, June 24, 5:30 p.m. (Central), Cathedral Basilica of St. Louis Mass, ordinary form, Solemnity of the Nativity of St. John the Baptist
Bishop James D. Conley (Lincoln, Nebraska), celebrant
Bishop Conley, at the plenary address he gave Friday morning.
Horst Buchholz, organist
Organ prelude: Fantasia sopra Ut queant laxis, Johann Jakob Froberger Introit: De ventre matris (women’s refresher chant class, Mary Ann Carr-Wilson) Kyrie: Missa Papæ Marcelli, Palestrina (Wilko Brouwers conducting) Gloria: Missa Papæ Marcelli Gradual: Priusquam te (chant improvisation class, William Mahrt) Alleluia: Tu puer (women’s chant schola, Charles Cole) Credo III (tutti) with Et incarnatus est from Missa Papæ Marcelli Offertory: Justus ut palma (men’s faculty master choir, David Hughes) Offertory motet: Iustorum animæ, Stanford (motet choir, Charles Cole) Sanctus: Missa Papæ Marcelli Memorial acclamation: Mortem tuam (tutti) Pater noster(tutti) Agnus Dei: Missa Papæ Marcelli Communion: Tu puer (chant fundamentals class, Jonathan Ryan) Communion motet: Iesu dulcis memoria, Victoria (motet choir, Charles Cole) Organ postlude: Improvisation on Ut queant laxis
The Sacred Music Colloquium continued Thursday with rehearsals, breakout sessions, and an annual favorite, a sight-reading session for new compositions, led by the genial David Hughes.
Participants returned to the Shrine of St. Joseph for the annual Requiem Mass offered for the repose of departed members of the CMAA. For many Colloquium participants, it was the first time they had an opportunity to experience this rite of the Church in its classic form, with the chants of the Mass for the Dead and traditional practices such as the singing of the sequence Dies irae and the use of a catafalque to represent the departed for whom the Mass is offered. Here are the assembled participants after the Mass.
Before I write about Wednesday, let me follow up with a little more information about events that took place on Tuesday:
Thanks to Joel Morehouse (of the Setnor School of Music, Syracuse) for posting additional photos of the Mass at St. John the Apostle Church (the pro-cathedral) at our sister site New Liturgical Movement, where Joel is also a contributor on parish music and liturgy.
At the CMAA members meeting on Tuesday, general manager Janet Gorbitz announced that the 2017 Sacred Music Colloquium will be held in St. Paul, Minnesota, from June 19 to 24, and one of the Masses will be offered at the historic St. Agnes Church in remembrance of Monsignor Richard Schuler, the long-time pastor and musician, co-founder of the CMAA, and editor of the journal Sacred Music.
On Wednesday, Christ Church Episcopal Cathedral in St. Louis opened their doors and their organ loft to Prof. Ann Labounsky (Duquesne) who presented a breakout session on repertoire for pianists making the transition to the king of instruments:
And here is a view from the transept of Christ Church Cathedral:
At the end of the afternoon, Holy Mass at the Shrine of St. Joseph:
After Holy Mass, colloquium attendees came together in front of the Shrine for a group photo:
After morning prayer and breakfast, the first session is a chant rehearsal: at the men’s schola session taught by Wilko Brouwers, the curve of a neume on the paper is echoed by its counterpart outside.
In Tuesday’s plenary address, Dr. Mahrt describes the “musical shape” of the liturgy.
Colleen Crafton from the Ward Center in Richmond, VA brought her own choristers (!) to demonstrate a Ward Method lesson.
Photographer Rene Zajner listens in as David Hughes (of St. Mary’s, Norwalk) and some colloquium participants try out new compositions the latter have brought.
Scott Turkington (and his double, through the looking-glass) present a session on conducting polyphony.
As the polyphony rehearsals begin, Charles Cole from the London Oratory School brings the motet choir together with some exercises.
The 26th Sacred Music Colloquium of the Church Music Association of America began Monday evening in St. Louis. At the City Center Hotel, participants enjoyed a festive reception and dinner and were welcomed by chaplain Rev. Robert Pasley, the rector of Mater Ecclesiae Church in Berlin, NJ; and by our president, Prof. William Mahrt (Stanford).
The evening was made complete by a concert at the City Library, presented by Pro Arte Saint Louis,the early music ensemble conducted and co-founded by CMAA vice president Horst Buchholz.
The Basilica of Saint Louis, King (the “Old Cathedral”) in St. Louis, MO. (Photo credit: Rene Zajner)
Before the Sacred Music Colloquium even got started Monday, a group of participants met to visit some of the fine historic organs in the city of St. Louis. The group ended its tour at the Old Cathedral, near the Gateway Arch.
If you register and pay in full by March 1st, you’ll receive Early Bird tuition rates for this summer’s Church Music Association of America Colloquium. The Colloquium is to be held in St. Louis, MO, at the St. Louis City Center Hotel, June 20 – June 25, 2016.
CMAA members are entitled to a member discount. Not a member?
Three Great venues: the Cathedral Basilica of St. Louis, the Shrine of St. Joseph, and Pro-Cathedral of St. John the Evangelist and Apostle.
Are you a composer? Plan to participate in our New Music breakouts with David Hughes.
Sing Mozart, Palestrina or a variety of motets in your chosen polyphonic choir. There is also a beginning polyphonic choir again this year, which will sing a motet later in the week. See all the details and begin making your choir selections now. NEW! Repertory Listing Uploaded to our Website!
We have another great testimony about the importance of the Colloquium, and how it affected Dr. Peter Kwasniewski as he attended this year.
Recently my son and I participated in the Sacred Music Colloquium XXV of the Church Music Association of America, held at Duquesne University in Pittsburgh. As with the Sacra Liturgia 2015 Conference, a large portion of the participants were young adults who love beautiful music that is obviously sacred in its stylistic qualities, cultural associations, and avowed liturgical purpose.
At Sacra Liturgia 2015 and Colloquium XXV, one sees ample evidence that we are turning a corner. The rebels of yesteryear look embarrassingly old-fashioned, and the youth who still want to practice their Faith need more, desire more, and deserve more than the Church’s hierarchy has been willing (or even able?) to give them until now. And these young men and women are figuring out how to find their way back to the Tradition, in spite of all obstacles, detours, traps, and poor signage. This movement—this hunger for Catholic Tradition—cannot be stopped. But it can be somewhat delayed by obstructionists or actively promoted by shepherds who care for the eternal destiny of their sheep.