Chant Workshop, Ventura, California

Please join us for an entry level Chant workshop on Saturday July 13 from 9AM-12PM at the historic Mission San Buenaventura, Ventura, CA. This workshop will be an introduction to Chant as part of the Mass, with the goal of helping Parishioners learn the basics of Gregorian Chant and increase their appreciation and participation. All are welcome, this workshop is useful for clergy and laity alike! 

Curriculum will include:Chant notation and solfegeChant in English and LatinCountingMass Ordinaryand a capstone using the Pange Lingua
No charge for the workshop, materials will be provided! 

Here is the Google+ site for updates and signups: https://plus.google.com/u/1/events/cmncm3b50mtvs7kst0mek5ll390


Thanks and hope to see you there!Carl Neimeyercarljn@gmail.com

The Musical Legacy of Theodore Marier

On October 17th 2012, there will be a wonderful celebration of the life and work of Theodore Marier, on what would have been the 100th anniversary of his birth, at St. Paul’s Church, Harvard Square, Cambridge, MA. This is being organized by John Robinson, who is doing such a spectacular job as director of choristers at the choir school.

The Mass is at 6:00pm, and it will include music by Marier’s favorite composers. It is followed by a reception at 7:00pm. This reception includes a talk by his student and chant master Scott Turkington. Turkington’s talk is not to be missed. The title: “Keep Singing: the Musical Legacy of Theodore Marier.”

This is going to be a wonderful event!

Chant in Grand Rapids

On June 16, I’ll be teaching a practical chant seminar at Sacred Heart of Jesus in Grand Rapids, Michigan. It will be a four-hour tutorial and lecture practicum dealing with getting the propers in the parish right away. Ideally you should be able to attend knowing next to nothing and be prepared to sing the next day. I know that is a bit ambitious but it’s not crazy. It can happen. So far as I know, the workshop is free and runs from 10am until 3pm with a little lunch provided. Contact the parish for more information.

Chant and Improvisation in the Liturgy

Jenny Donelson, CMAA Academic Liaison, on an upcoming conference:

Esteemed organist and pedagogue Dr. Ann Labounsky and the music department at Duquesne are partnering with the CMAA to present a conference on the subject of improvisation:

The Aesthetics and Pedagogy of Charles Tournemire: Chant and Improvisation in the Liturgy 
 October 21-23, 2012 at Duquesne University in Pittsburgh, PA 

Our model? A man steeped in chant and the liturgical traditions of the Church: Charles Tournemire.

In his time, Tournemire’s work as an improviser was well-known throughout the world, and myriad students flocked to him to learn the craft. Being steeped in the French symphonic tradition, having studied Dom Guéranger’s Liturgical Year, served as organist for decades at Ste. Clotilde in Paris, and being keenly interested in the role of the organist as a theological commentator on the action of the liturgy, Tournemire’s shadow rightly extends to this day in his writings, recordings, and lineage of students.

The revitalization of sacred music in our time must take into account not only Gregorian chant and polyphonic choral music, but also the proper role of the organ at Mass, and this role essentially includes improvisation. It’s our hope that this conference will make a significant contribution towards understanding that role through the lens of Tournemire’s magnificent example.

The location? A city filled with a large number of wonderful organs and a wonderful cast of French organ scholars and experts. Pittsburgh is really an ideal location for a conference like this, thanks in no small part to the work and teaching of organists like Ann Labounsky and Robert Sutherland Lord. More information on attending the conference will be forthcoming in June, but for now we’re accepting proposals for papers and recitals that relate to the topic. More information on the conference and the submission process are available here.

The conference will explore the aesthetic, liturgical, theoretical, and technical principles of Tournemire’s improvisations and teachings on improvisation, the use of Gregorian chant in organ improvisation, the role of organ improvisations in the Catholic liturgy, and pedagogical approaches to teaching organ improvisation. It will include liturgies, opportunities for the study of improvisation at the organ, discussion groups, and recital programs and papers relating to the conference theme. Join us!

Wassim Does It Again

Following up on a spectacular success in Michigan, Wassim Sarweh is taking his show on the road to New York!

Gregorian Chant Workshop

Learn the history, rhythm, notation, vocal techniques, modes and psalm tones of Roman Chant. This course will include discussion of both the Ordinary and Extraordinary Forms of the Roman Rite, as well as use of English and Latin in the Liturgy.

Advanced- accompanying chant ( how to accompany or follow accompaniment)
Chironomy- directing chant and following the director
How to improvise on modes
Isons – establishing mode
Old roman – how to…
and more!

4 & 5 May 2012
St. Patrick’s Church
235 Glen Street
Glen Cove, New York 11542

Heretical Hymns, World Music, and Keeping Your Job?

Below is a sneak peak at some of the morning breakouts we have to look forward to at this year’s Sacred Music Colloquium in Salt Lake City. Remember that if you register during the Octave of Easter a copy of Dr. William Mahrt’s The Musical Shape of the Liturgy will be on its way to you in the mail.

Sister Marie Agatha Ozah, HHCJ, Ph.D.:

Gregorian Chant and World Music: Tensions and Solutions for the Liturgy

Chants are some of the oldest religious music genres of the world, and their centrality in Buddhist, Hindu, Judaic, Christian and Islamic worship cannot be over emphasized. In the Christian Church alone, one can name Byzantine, Ethiopian, Anglican, and Gregorian chants, for example, as indispensable vehicles of religious worship. This lecture explores the significance and uses of chants in some world religions. It will focus specifically on Gregorian Chant in the Roman Catholic liturgy.

The traditionalism and canonicity that Gregorian Chant enjoyed for centuries was disputed by the Second Vatican Council, which encouraged the use of other forms of world music as backdrop in the liturgy. The introduction and use of world music in the liturgy has fostered the continuous decline of the use of Gregorian Chant, an issue that has become a cause of concern among sacred music scholars. The dilemma of whether or not the Roman Catholic liturgy is a common ground where tensions can be resolved persists today.

Kathleen Pluth:

Vernacular Hymns: The Good, the Bad, and the Heretical

Although sung Propers are always the best choice for the Mass, parish musicians are still often called upon to select hymns for Mass, devotions, and the Liturgy of the Hours. Choosing among the various options can be a daunting task. This lecture begins with an examination of the importance of hymns in the Church from apostolic times, preceding the Reformation by many centuries. Then, individual hymns will be sung and analysed for their usefulness in teaching and evangelization, focusing primarily upon textual and theological considerations.

Matthew J. Meloche:

Maintain and Strengthen Your Position and Program

This practical course will show you how to maintain and strengthen your current position and program, whether you are music director of a large parish or direct a small choir. Special emphasis will be given to changing the direction of a program, with positive advice for how to do so while keeping your leadership role secure.

See the complete list.

Musica Sacra Florida, Now Is the Time

The registration deadline for the 4th Annual Musica Sacra Florida Gregorian Chant conference is this Friday, March 30th.

If you haven’t registered yet, find out more and register.

You and your choir are cordially invited to attend the 4th annual Musica Sacra Florida Gregorian Chant Conference, to be held at Ave Maria University on April 13th and 14th. This year’s conference will have two new features.

First, there will be more intensive workshops on the following subjects:
* Semiology (Study of the ancient chant notation)
* Chironomy (Gregorian chant conducting)
* Chant in English
* Church documents on sacred music, and history of sacred music in the 20th century
Second, both forms of the Mass will be offered:
* Latin Mass in the Extraordinary Form
* English Mass in the Ordinary Form
Participants will get to sing Latin and/or English chant in the closing Mass of the conference, which will be on Saturday, April 14th, at 5pm. This will be an anticipated Sunday Mass for the 2nd Sunday of Easter (Divine Mercy Sunday).

The conference is open to musicians, clergy, and parishioners. All are welcome!

Six Days that Will Totally Transform Your Catholic Life

There is a world of treasures in the Catholic music world, and they are all there for us if we are willing to take the step. You can discover this whole world and bring your discoveries back to your parish, so that it can become a place where heavenly beauty has a home. Come to the Sacred Music Colloquium in Salt Lake in June. It’s one week that will change your life forever, and provide benefits to your parish for decades to come.

Registration is now open.

Report on the Gregorian Chant Network

Wonderful report on this event (everyone I know wanted to be there) in the UK, written by Joseph Shaw.

Yesterday I chaired the second biennial meeting of the Gregorian Chant Network, which was founded at the first meeting two years ago. Yesterday’s meeting was addressed by Dr James MacMillan, the composer, Fr Guy Nichols, the founder of the Newman Institute of Music in Birmingham, and myself; it took place in the London Oratory, and concluded with Vespers in the Little Oratory celebrated by Fr Andrew Southwell, LMS Chaplain.

The meeting was attended by directors of Catholic chant choirs from all over the country, chant experts, and representatives of the organisations which support the Chant Network: as well as the Latin Mass Society, Una Voce Scotland, the Association for Latin Liturgy, the Schola Gregoriana of Cambridge, and the St Catherine’s Trust. I can now announce that we have two more institutional supporters: the Ordinariate of Our Lady of Walsingham, and the Bl John Henry Newman Institute of Music.

The meeting also included two chant directors from France, Mr Phillipe Nikolov and Mr Henri de Villiers (also of the New Liturgical Movement), who represented Una Voce France; and Mr Thomas Murphy, of St Conleth’s Catholic Heritage Association, the Irish affiliate of the Una Voce International Federation.

Dr Macmillan addressed the audience of just over 50 on the significance of Chant in the musical patrimony of the Church. You can listen to his talk here.

After lunch I gave a report on the progress of the GCN over the last two years, and introduced Fr Guy Nichols, who spoke about the work of the Newman Institute. We then rehearsed for Vespers, and celebrated Vespers together after tea. The whole day was a great opportunity to meet other people working for the cause of Chant in the Catholic Church, for mutual inspiration and support. It was very kindly hosted by the London Oratory, in the St Wilfrid Hall and the St Joseph Hall.

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