When I read National Geographic magazine as a child, explorers eating exotic foods, such as alligator, always seemed to characterize it as “tasting like chicken.” Well, if you’ve ever eaten anything described that way, you know the characterization is two things: wrong and unfair. Nothing tastes like chicken except chicken and gator really tastes just like gator.
Previewing a recording of the Missa Alma Redemptoris Mater by Anselm Viola, an 18th-century priest composer at Montserrat, my first thought was “sounds like Mozart.” And then as I listened more deeply, I realized “No, it sounds like this composer writing in this place for those singers at that time.” (Incidentally, this is one of the few works of Viola that survived the destruction of the monastery’s library and musical archives by the Napoleonic forces in 1811-1812.)
The easy comparisons of meats and compositional styles can be helpful. People will eat the exotic food or listen to an unfamiliar composer since they like the one they know. But it still puts the less-known into an all too convenient box and can blind us to the unique qualities of things in themselves.
In short, use those easy comparisons when they are useful, but try to get “out of the box.” Even better, of course, no boxes when we listen.
Francisco Carbonell is the Director of Music at St. John the Evangelist in Indianapolis, where last year’s Summer Colloquium celebrated its Masses. And he’s a rising star as a young composer. Carbonell just won the Chorus Austin Young Composers competition. Here’s a YouTube of one of his compositions for your listening enjoyment:
I’ve been a fan of this style of singing since hearing “Les Voix Mysteres” back in the 1970s. Here’s a link to a rehearsal video from the Santa Fe Desert Chorale, a professional ensemble, preparing for appearances at the ACDA in Salt Lake City earlier this year. This full-throated style is probably what most vocal music sounded like for centuries.
As a special indulgence (not found in the Raccolta), the regular registration period for one of the summer’s best sacred music conferences has been extended. The May 15th deadline has been changed to MAY 31ST!
Join us at Duquesne University for mornings of chant instruction, breakout sessions on a smorgasbord of topics, a New Music workshop, afternoons of polyphony practice from Faure to Palestrina, as well as a class in fundamentals of chant and a beginning choir for those just dipping a toe into the waters of the polyphonic sea. Wait – I forgot about the opportunity for private organ and voice instruction. Splendid Masses in both the Extraordinary and Ordinary Forms, sung by the workshops and choirs, plenary lectures, world-class faculty, fellowship with old and new friends, an opening banquet, dorm accommodations available, a multitude of food plans.
We’re in the 2-week countdown for the CMAA Summer Colloquium. Regular registrations end on May 15th and after that it will cost you an extra Benjamin (aka $50) to register. [Correction, thanks to Richard Chonak: – you can only save a Ulysses Grant! But remember – this is the 150th anniversary of the end of the Civil War.]
What could you do with that $50? I can think of lots of musical purposes: a chunk of your meal plan, some of the nifty CDs that you’ll find on the book table at the Colloquium, drinks for the new friends you’ll make during the rehearsals or breakout sessions,etc.
Join us! There’s no other conference that provides the variety and depth that you’ll find at the Colloquium: chant, polyphony, practical instruction, and uplifting experience, world-class faculty, and the chance to join forces with peers who cherish the liturgical patrimony of the Latin Rite. And lest I forget – the daily Masses that are so far from the “I-know-it’s-valid-but-boy,-it’s-painful-musically” world that many of us know.
Come to renew, rejoice, and restore your musicality and your spirit! And do it now! I look forward to seeing you there. ,
If you’re looking for a short but sweet little conference, this is the one for you! May 15-16th this year on the lovely campus of Ave Maria University. Chant for beginners/intermediates, advanced men and women, workshops, a special children’s workshop, a keynote by Fr. James Bradley. Extraordinary Form on Friday evening, Ordinary Form on Saturday afternoon. On-campus housing available. Learn all the details and register over at www.musicasacra.com (where else?). Please join us!
Although it is Holy Week, we should remember that May will be here before we know it. And May 15th & 16th are the dates for the Musica Sacra Florida Conference at Ave Maria University. This is a wonderful small conference that welcomes beginners learning to read square notes, as well as more experienced singers interested in semiology and the propers.
The keynote speaker will be Father James Bradley, a fascinating Ordinariate priest. There are two liturgies, one Extraordinary Form and one Ordinary Form, as well as an accessible sung Lauds. Faculty include Drs. Susan Treacy, Mary Jane Ballou, and Ed Schaefer.
New this year – a Saturday workshop on chant for children, led by Michael Olbash and a workshop for cantors (or would-be cantors) on bringing chant to their parishes.
Learn more and register online at Musica Sacra Housing is available on campus at a very reasonable rate.