The “Klein Graduale”

The inestimable Steven van Roode, a brilliant chant resource typesetter and engraver in the Netherlands who has given us Creative Commons chant editions of the post-conciliar Office has launched a new project:

Introducing the Klein Graduale.

The Klein Graduale is an adaptation of the Graduale Simplex in the Dutch language for use in the Dioceses of the Netherlands. You can view the scores for the Advent Season here, and the Christmas season here.

Steven has told me that the parish Bergen op Zoom, the very church where Jacob Obrecht worked, has plans to begin introducing sung propers using this resource and he hopes to post recordings of this online as well.

It is truly wonderful to see what is happening in the chant movement outside of the US. I hope that Steven will keep us informed of all of the exciting happenings in Breda.

Simple Propers: Booklet for the “Glory Be”

Here is a booklet that contains the “Glory be to the Father…” doxology in all eight modes for use with the Introit and Communion chants of the Simple English Propers Project.

We have decided to eliminate the reprinting of the Glory be text at the end of each Introit and instead will simply place the words “Glory be to the Father…” and the singer will be referred to the Glory be tones which will be found in the back of the book. This will save space and might also help demonstrate how the tones are to be sung, being that they are presented in full notation, much like the Gloria Patri tones in the back of our Graduale Romanum.

Please keep this on hand if you will be singing the Simple Propers from now on. Of course most will end up singing these from memory, but the sheet is here for your reference.

Note: Look for Simple Propers for the Second Sunday of Advent today, the rest of the Advent Season by the end of the week, and most of the Christmas Season by the end of next week.

The New Translation Has Taken Effect!

As I write, at 9:00AM this Saturday morning, Mountain Standard Time for us in the US on the last day of the Church year, Advent has already begun for our friends in New Zealand. And this is no ordinary First Sunday of Advent for them.

New Zealand has already implemented the new translation of the Roman Missal.

I am told by a priest friend and fellow summer student at the Liturgical Institute who is a pastor in Christchurch that the new translation of the Order of Mass only is being implemented. The rest of the texts remain in the 1973 translation. A missalette has been produced that contains all of the new texts which are used by people and priest alike.

I hope to get a full report on how things went to share on the Chant Café. So far there are no reports of riots or any other apocalyptic occurrences. In solidarity with our brothers and sisters in New Zealand let us rejoice in this beginning of a new era of liturgical renewal in the English speaking world!

Chant Method of Fr. Columba Kelly Released into the Commons

I am very excited to announce that Fr. Columba Kelly, OSB, monk of St. Meinrad Archabbey and Gregorian chant scholar has released the third chapter of his book “Gregorian Chant Intonations and Role of Rhetoric” into the common domain for all to benefit from. You can download it here.


The “Gregorian Chant Intonations…” book is essentially broken into two sections. The first is a study of the melodic verbal contexts of Gregorian chant intonations, and the second half is Fr. Kelly’s working “manual” of Gregorian chant interpretation and practice. The methodology laid out in this chapter is the basic content of his chant seminars that are offered regularly at St. Meinrad and across the country.

The Church Music Association of America has been very generous in making available to all in the past few years digital editions of chant manuals and guides from the first half of the 20th century. How wonderful it is now to have this resource freely available from a contemporary voice who can add to the great tradition that has been handed down to us with many of the most recent insights in the world of Gregorian chant scholarship.

Thank you Fr. Kelly for showing us that chant instructional materials do not have to go into the public domain before they can be shared freely with all!

If anyone would like to buy a printed copy of the entire book you can do so here.

Simple Propers for the First Sunday of Advent

I would like to express a special word of gratitude to all of you who have supported the Simple English Propers Project at the Chant Café from the bottom of my heart. It is truly a miracle how this project has come together and I think that we have all seen the transformative power of Divine Charity when we choose to participate with it. The sacred music community was able to gather for the Simple Propers project $5000 in exactly two weeks which will enable the project to be properly done in a timely and productive fashion. I am personally grateful to each benefactor who has seen value in this project and who has communicated that value through a financial contribution. When the project is complete it will be shared with everyone forever. Your gift will “keep on giving”. Thank you for your generosity.

As a result of the completed patronage campaign, the Simple English Propers Project has been able to organize itself for the production of the competed book, and just in time–We’re now able to offer a set of propers for the beginning of the new Church Year, the First Sunday of Advent, in a polished design that will form the beginning of the completed collection.

Download Simple Propers for the First Sunday of Advent Here

Please keep in mind that the “beta” phase for this collection is not quite over yet. Time is still needed for the melodic formulas to stabilize, and for the Modified Douay Psalms to stabilize as well. I am working with a small team on these efforts and we are making great progress. I suspect in a month or so we will be well on our way toward finishing the entire book.

Note in this week’s offering that we have decided to part ways with the “Simple Setting”. I would like to hear in the comment box if this will be missed. The general consensus has said that it will not. If there are some among you who have relied upon having these simple settings I will do my best to get you the resources you need. The decision was made essentially because of the size of the book would be over 500 pages with two antiphons for each proper, and is under 300 with only one.

Please offer any feedback that you might have as we are rolling very quickly into locking in on production and completion of this collection.

UPDATE: Here are additional “Simple Setting” antiphons for those who need them

Simple English Propers Project Campaign Complete!

This evening the 64th benefactor for the Simple English Propers project tipped the campaign, this on the eve of the 14th day since it first began. It has only taken two weeks to reach the project goal!

This is astounding and inspiring in every way. I am just shocked by the response to this project, and how quickly people of faith emerged to embrace a platform of decentralized patronage to commission a creative work which will be given forever as a gift to the Church.

Many must be scratching their heads wondering how this possibly happened. Many certainly have their curiosities piqued. We at the Chant Café are overjoyed, and I as the editor of this creative work am deeply humbled and most profoundly grateful to all of you who saw value in this project and took a leap of faith in a new model of sacred music commissioning. From the bottom of my heart: thank you!

I can assure you that much more reflection will follow. For now we just rest in joy and gratefulness to the Lord for all of the gifts that he has given us, and in thanksgiving for the members of the Body of Christ who cooperated to allow a movement to emerge which will be greater than the sum of its parts. May the Lord who began this good work bring it to completion!

Deo Gratias!

Digital Media and the Internet as a “sacrament” of Divine Charity: The Loaves and the Fishes

In Jeffrey’s post from yesterday, A Culture of Giving and Sharing, he has exposed what is at the heart of the Simple English Propers project. If you haven’t already, please read this article first.

After reading through his beautifully eloquent and inspired post several times I realized that what Jeffrey describes here is the miracle of the loaves and the fishes.

Consider the story from the gospel: At the Lord’s request the twelve disciples gave up their lunch, five loaves and two fishes, because they saw that the five thousand who were gathered were hungry. They knew absolutely well that the five loaves of bread and two fishes would hardly even make a discernible dent in the problem of feeding the crowd. If they had used their faculties of reason alone they would have surely rebuked Jesus and kept their lunch for themselves (I’m sure they were hungry too!)–they would have hoarded their “property” that he had surely worked hard for.

But the twelve stepped out in faith and trusted in the Lord and gave their measly lunch away instead, freely as a gift, and it was through Christ who mediated with a miracle, that the five thousand were fed, and there was more left over at the end than they had in the first place. The leftovers alone filled twelve wicker baskets and would have been enough food for the disciples to take home and feed on for weeks.

The miracle of the loaves and the fishes is the phenomenon that we are dealing with in digital media that is shared on the internet. In fact, digital media shared online, perhaps, could be seen as a sacrament (small “s”) of Divine Charity, according to the classic definition of a sacrament: “a visible sign of an invisible reality”.

In the story of the loaves and the fishes a small gift was given freely, and Divine Charity–Christ himself, who is Love–infinitely multiplied the good. Think about what the internet does with digital media: When one digital copy of a work is posted online it becomes, de facto, infinitely multiplied. This is its nature. It cannot be contained (as we are seeing now in the commercial markets). It cannot be quantified. It cannot be limited in its reach. It cannot be stopped from spreading. It cannot be effectively bought or sold, (or at least without artificial mechanisms in place that try to accomplish this).

Now think about the nature of Love: It cannot be contained. It cannot be quantified. It cannot be limited. It is infinitely reproducible. It cannot be stopped from spreading. It cannot be effectively bought or sold.

But of course digital media and the internet are not God. They are not Divine Charity. They merely possess characteristics that signify charity and love, but they do not intrinsically contain them. What digital media and the internet do, I would like to propose, is greater enable us to participate (in a specific way) in the free exchange of love that is to be found first in the inner life of the Trinity.

Let us consider for a moment the inner life of the Trinity.

As we know and believe as Catholics, the Trinity is God in three Persons: Father, Son and Holy Spirit. We understand that the action of the Trinity, of God, is an exchange of love. This love is freely given by the Father to the Son, and in return from the Son to the Father. This sharing of love between the Father and the Son we call the Holy Spirit. The inner life of the Trinity is a free and mutual exchange of love.

Now let us think about how we participate in this exchange of Divine Love. Indeed, it is the goal of our existence–to participate in the love of God for eternity. But how do we participate in this exchange of love while we are here on earth, in the historical period of “Image” as we await its fulfillment in the coming age of “Reality”? It is the liturgy.

It is in the liturgy where we participate, par excellance, in the Divine exchange of Love between the Father and the Son; where we are swept up into the inner life of the Trinity in the Holy Spirit. The entire action of the liturgy, which is the action of Christ, is modeled on this exchange of love. The entire liturgy is structured in an antiphonal manner. The music of the liturgy itself is based upon this antiphonality.

In the action of the liturgy Christ calls us to repentance and we respond by publicly confessing our sins, to which Christ responds by offering us forgiveness, to which we respond with a hymn of praise. Then we hear the Word of God speaking to us, to which we respond with the Responsorial Psalm, and then the Christ speaks to us in the Gospel and in the homily of the priest in persona Christi, to which we respond with our prayers and with an offering of ourselves, of our money, of our very being which we place before the altar. And then, in the most excellent way, Christ accepts the gifts that we brought forth–our very lives, and the gifts of bread and wine–and offers his very own body and blood as a gift to the Father, in order to give God perfect praise and in which we are swept up, in which we actively participate in the reality of heaven. And after God is given perfect praise in the sacrifice of the altar, God gives back yet again and we receive his body and blood in the Eucharist which strengthens us to do our work on earth.

It is in the Mass where we fully participate in the inner life of the Trinity! And after worshiping and loving God, and after receiving his love, and giving it back again, and receiving it again, all that we are able to do as we are sent forth in peace is to share what we have received, the very love of God, freely with the world.

As Catholics we know that everything that we have is not really ours; all that we have possession of is a gift from God. Our talents, our time, our money, our intellect, our capacity to create, our participation in the creative process, the creative works that we conceive and produce, everything that we are and have, indeed our very lives–none of this is our “property”; it is all a gift from God.

What makes us human is our ability to give of the gifts that we’ve been given. What gives our lives ultimate fulfillment is to share in the Love of God eternally.

I would like to propose, however, that when we hoard the gifts that God has given us, when we restrict them, when we claim “ownership” of them, when we claim “rights” to something that is not truly ours, but is God’s, we restrict the work of the Holy Spirit–we clog the exchange of love that God desires to have with humanity. We cease to participate in an activity that makes us more fully human, and more fully alive.

Copyright law may have been necessary to a degree in an information economy that relied on printed paper, and on the exchange of scarce goods, but this artificial restriction required that individuals sacrifice a part of their freedom as humans–their freedom to freely share and to freely receive the gifts from each other that they have received from God.

But this medium of the old information economy has been supplanted by a new information economy that, perhaps miraculously, reflects sacramentally the free exchange of love that is found in the inner life of the Trinity: digital media and the internet.

We have an opportunity now, at this point in history, to remove the restrictions that have been artificially placed upon the creative works of society in varying degrees only since the advent of the printing press. We have the opportunity now to utilize the tools of digital media and the internet to advance and promote a culture of giving and sharing that finds its origin in the gift of God to humanity and that is animated by the exchange of love that is found in the inner life of the Trinity. We have now the opportunity to allow for our creative works to be shared as they were intended to be shared: out of love, out of gratitude, for the good of humanity.

But guess what? (And here’s the real catch) When these gifts are given freely to humanity, should we expect those who are the receiving end to hoard these gifts for their personal gain? Perhaps we could, since this is a consequence of our fallenness, and is much the way that the world is used to operating. But, perhaps we could expect something different if the recipients understand the nature of gift. If they understand that everything they have is a gift, and the goal of their life is to participate in the free exchange of love between the Father and the Son, then their only response is to give back in gratitude for the gifts that they have been given.

What does this all mean? And why is this written on a blog that is about sacred music?

Well, the Chant Café and the Church Music Association of America are responding to this opportunity that has been presented to the world. We have undertaken the Simple English Propers project as a test case to show that creative work can be freely shared with the world, as it was intended to be, and that the creator(s) of the work will receive from those on the receiving end a reciprocal generosity, that finds its origin and model in the Trinity and in the Eucharistic liturgy.

So the Simple Propers Project has been conceived as a free gift to the Church and to the world. It is conceived as a project of high craftsmanship and artistry that addresses a very real and urgent need in the Church.

We have estimated a monetary value for the creation and production of the work that is on par with, if not even surpassing, the amount of money that a composer and editor of liturgical music might hope to receive as the result of a similar work that is published in the conventional way.

We have asked those who see value in this work to make a financial contribution to the composer/editor of the work, not as a form of compensation, or of paying a due, but as a gift that reciprocates the gift that they have received, and that communicates their gratitude for and the value of the work that was produced.

This is the model that we have chosen, and I am the composer/editor of the project. At the time of this writing the Simple English Propers campaign is 65% complete after 11 days. This is breathtakingly remarkable and I have the deepest gratitude to the 52 benefactors who have made a contribution, whether larger or small, to this effort. It seems that we will reach the goal in a matter of days, and I will feel deeply satisfied that the enormous amounts of time and effort that I am putting into the creation of this work are being appreciated and valued through the gifts given in response to it by the community.

I need to say that as the recipient of the funds that are being raised for this project, I have the intention of reciprocating further a portion of the funds to the many other contributors to the project, and to those to who have brought invaluable contributions to it in one way or another. This most certainly will include the CMAA, St. Meinrad Archabbey, the St. Louis Institute of Sacred Music, the Gregorio developers, and, in some way, the many colleagues who have contributed in some specific way to this project. I will also set aside a portion of the funds in order to pay forward toward the next creative venture that will utilize this model.

All in all, the Simple Propers Project would not be possible with two paradigm shifting modern realities: Digital media and the internet. Like the miracle of the loaves and the fishes they allow for a greater participation in the exchange of Divine Love which finds its origin in the inner life of the Trinity. May we all actively participate in this exchange of love, first, in the liturgy, where we participate in it in the most excellent way possible on this earth. And may we all continue to reciprocate that gift of love which we first receive in Christ by giving glory to God with our lives and by sharing and spreading it to all the ends of the earth.