NOLA Chant Intensive- don’t forget the “intensive.”


I am, among other things, “Charles in CenCA.” A few folk know or remember that despite being born in a laconic little town in the middle of California in 1951 I was raised in Oakland, California.

Yes, that OAKLAND. Oakland formed me, mothered me, made me, made me CATHOLIC. Oakland is, to me, the New Orleans of California minus Mardi Gras, the French Quarter, the mystique, a recent football championship, and natural and man-made disasters (unless murdering one’s neighbors is factored in.)
Wendy and I have the SAINTS/VIKINGS game on. We’ve only visited NOLA once, a month before Katrina. It was lovely, lovely like Jack London Square in Oakland only a whole city. A month later, NOLA was 9/11 all over again. But, like Pogo, it took a while to recognize that the aggravating enemy wasn’t trained terrorist pilots, but the enemy was “US.”

 New Orleans has weighed upon my mind, and I suspect most of our minds, for these last five years. I’m happy for the Saints and the saints. I have wanted to return and take the trolley to Treme and the Ninth Ward. I don’t even know if the trolley goes there.

When AOZ posted that the Chant Intensive would be held in NOLA this January, I didn’t have a moment to share that info with my better half. We were in the midst of effecting the first Solemn Vespers (Sept.8, Nativity of the BVM) at our parish in at least 40 years. But, when I told Wendy tonight about the Intensive, she decided she had to attend. My beloved wife, lyric soprano who is gifted with a voice beyond measure, wants the torture (kidding) of the Turk for twelve hours a day in NEW ORLEANS! We’ll be there. I may be the director/composer of the family, but she is the voice and the accountant! She scored a 94 on an insane, one day Notary exam in the “state” that is known as California. This opera woman wants to freakin’ chant. Got it?

But I’ve done an intensive. I’ve jokingly, haltingly recalled it as akin to doing another Masters. It wasn’t easy for me. Fifty brains in the room, mine the smallest! But I have the “diploma” on my office wall, it meant that much to me. So, I’ll accompany my crusading wife, but I’ll go to New Orleans with another attitude. The first time was Pre-Katrina; second will be post-Katrina/BP.

There’s been a lot in the media five years after Katrina, and the summer of unending oil. I don’t know what to expect of me as I accompany my wife to NOLA this January. But I have to see and feel that what CMAA represents with the Intensive resonates in concert with our Matthew 25 mandatum.

There is little surety in this musing. But, there must be a tangible, visceral connection with G’s slogan, “Save the Liturgy, Save the world,” that is represented by the trials New Orleans has endured in this new century. And I hope to find it.

Sorrowful is my soul even unto death.

Sheet music here (SATTB)

Sorrowful is my soul even unto death.
Stay here, and watch with me.
Now you shall see the mob that will surround me.
You shall take flight, and I shall go to be sacrificed for you.
Verse:
The time draws near,
and the son of man shall be delivered.

 Tristis est anima mea usque ad mortem:
sustinete hic et vigilate mecum.
Nunc videbitis turbam quæ circumdabit me.
Vos fugam capietis, et ego vadam immolari pro vobis.
Versus:
Ecce appropinquat hora, et Filius hominis
tradetur in manus peccatorum.

That Stuttering Moses

The first phrase repeats in this weekend’s Offertory chant. Fr. Kirby comments:

Moses’ compelling prayer became one of the most poignant Offertory Antiphons of the Mass: Precatus est Moyses in conspectu Domini Dei sui. “And Moses besought the Lord his God” (Ex 32:11). Listen to a recording of the piece or sing it through for yourself if you have time today. Do it as lectio divina. All the intensity of Moses’ prayer passes into the melody. Listening to it, one has the impression of being right there next to Moses, face to face with God on Mount Sinai. In the prayer of Moses one hears already the accents of the prayer of Jesus crucified to the Father: “Father, forgive them; for they know not what they do” (Lk 23:34).

Upcoming Events Announcement

Many have asked…

Winter Chant Intensive: January 3-7, 2011; New Orleans, LA. Details and registration information forthcoming.

Sacred Music Colloquium XXI: June 13-19, 2011; Duquesne University, Pittsburgh, PA. Details and registration information forthcoming.

Simple Propers for the 24th Sunday of Ordinary Time, Year C

As promised, here is another experimental set of “Simple English Propers” that are aimed at the average parish situation.

Download simple propers for the 24th Sunday in Ordinary Time, Year C.

The processes in use here were described in great detail last week. The same processes were applied to this weeks proper texts. Antiphon translations are taken from the Gregorian Missal, and psalm verses are taken from Douay Rheims, although slightly modified to reflect a more modern English.

We at the Chant Café would love to see a conversation about these settings spring up in the comment box. As I said before, these are “experimental”, and there is nothing that can advance an experiment like review and critique. Please don’t be shy. No one’s feelings will be hurt. We really want feedback from all walks. Many of the more “expert” opinions have already been discerned, but feedback from people who are considering the needs of their parishes who don’t sing the propers at all would be most valuable!

Music directors and schola directors–Ask yourself: “What would I do if I found myself in a parish that didn’t know what propers were, and had no exposure to chant in any form, whatsoever.” How would you bring them along? What would you recommend to a parish musician across town that would like to begin singing the propers at Mass? With no experience in chant, with virtually nothing but a humble interest? Where would suggest they start?

This is the sort of need that this project is seeking to address. Please share your thoughts, especially while we’re still in “experimental mode”!